After sending out over 200 query emails to producers, agents, and managers I’ve garnered four read requests and plenty of replies informing me of their company’s no unsolicited material policy. In conversations with other people much more in the “know” than I, it was explained that a query letter is not unsolicited material. Sending some one an email saying, “Hey, I wrote a movie, this is what it’s about…” is not solicitation. If they want to read the script they’ll ask for it and when that happens, it’s no longer unsolicited.
Unsolicited. That word is beginning to lose its meaning for me. The more times I type it, see it, or say it out loud it transforms into nothing more than a jumble of letters and sounds. To any other aspiring writers out there, it’s just a word that the gatekeepers use as a means of intimidation. Be braver than them. I found such courage this week when I actually cold called a couple of production companies. Having researched the assistants for producers, I simply called and asked to speak to them. One patched me through and viola, a connection. Let me be a little clearer…no I didn’t get to tell him about my script or anything more than I’m a screenwriter and I’ve written a spec. But I was able to introduce myself, converse with this person, and being from the same city as this assistant, I was able to make a joke about an affinity towards a certain type of deep dish. Who knows if this assistant and I will ever cross paths again. If so will he remember me? Maybe, maybe not. But what matters is that I made the call and spoke to some one. To me, it’s a connection.
I’ve been told I’m being proactive. That’s just who I am I guess. I’ve never been some one who sits by waiting for things to happen. I’ve always sought out opportunities to make things happen. My screenplay, Breaking the Plane (#BTP) is entered in The BlueCat Screenplay Competition right now. I choose that for the price and for the feedback that’s included. Being from outside of L.A., you can imagine how hard it is to find industry people to read your screenplay and give you some feedback without needing a few hundred bucks just to do so. I plan on taking the feedback and polishing it up and then listing it on The Blacklist next month. For the same price of a decent contest entry I can get a month’s worth of exposure plus a paid read. Who knows…could be good.
In the meanwhile I’ve started writing the next spec script. A rom-com that I personally believe to be pretty high concept. Yeah, I’ve learned what that means too and that it also means something slightly different to different people. More on that in the near future. To you fellow aspiring dreamers out there…go make something happen. Just one thing. Take that one thing that scares the hell out of you and go try it. Send an email, make a phone call, enter that contest…because every time you do, you chip away at the fear factor of it until you make that one call with such confidence and moxie that all they can do is say yes…or at least not no.
As always, please leave a comment or drop me a note via email or twitter. I would love to know your thoughts and to have your questions. Until next time…